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Tots els drets reservats.","2022-07-08T07:54:37.105Z","2022-09-22T15:42:11.059Z","2022-07-08T07:55:15.821Z","→ SUBSCRIU-TE A LA NEWSLETTER",{"data":64},{"id":65,"attributes":66},20,{"name":67,"alternativeText":67,"caption":67,"width":17,"height":17,"formats":17,"hash":68,"ext":19,"mime":20,"size":69,"url":70,"previewUrl":17,"provider":23,"provider_metadata":17,"createdAt":71,"updatedAt":71},"LogoFooter.svg","Logo_Footer_669e52708f",5.18,"https://cercletecnologic.s3.eu-west-3.amazonaws.com/Logo_Footer_669e52708f.svg","2022-07-08T07:53:15.110Z",[73,75,77,80],{"id":40,"UrlRedSocial":74},"https://twitter.com/c_tecnologic",{"id":5,"UrlRedSocial":76},"https://es.linkedin.com/company/elcercle",{"id":78,"UrlRedSocial":79},4,"https://www.instagram.com/cercletecnologic/",{"id":47,"UrlRedSocial":81},"https://www.youtube.com/channel/UCJQCZDUpneffSoagTABrkLg",{"data":83},[84,92],{"id":40,"attributes":85},{"TitularSiguenos":86,"Copyright":87,"createdAt":88,"updatedAt":89,"publishedAt":90,"locale":45,"TitularFormulario":91},"→ FOLLOW US","© 2022 Cercle Tecnològic. All Rights Reserved.","2022-09-22T15:41:56.163Z","2022-09-23T16:34:23.702Z","2022-09-22T15:41:57.254Z","→ Subscribe to the Newsletter",{"id":47,"attributes":93},{"TitularSiguenos":94,"Copyright":95,"createdAt":96,"updatedAt":97,"publishedAt":98,"locale":52,"TitularFormulario":99},"→ SÍGUENOS","© 2022 Cercle Tecnològic. Todos los derechos reservados.","2022-09-22T15:42:11.027Z","2022-09-23T08:12:42.161Z","2022-09-22T15:42:12.437Z","→ Suscríbete a la newsletter",{},{"data":102,"meta":235},[103],{"id":104,"attributes":105},3249,{"createdAt":106,"updatedAt":107,"publishedAt":108,"locale":10,"TituloH1":109,"Entradilla":110,"TextoNoticia":111,"FechaPublicacion":112,"slug":113,"categoria":114,"FotoDestacada":122,"FotoGrid":168,"subcategoria":202,"SEO":210,"empresa":214,"localizations":216},"2026-06-26T10:50:27.553Z","2026-06-26T10:59:20.448Z","2026-06-26T10:50:34.528Z","La música en l’era de la intel·ligència artificial: creativitat, dades i transformació digital","\u003Cp>\u003Cspan>El sector musical afronta una nova etapa amb la tecnologia com a gran protagonista de la indústria\u003C/span>\u003C/p>","\u003Cp>L’arribada del juny marca el tret de sortida a la temporada de festivals, un moment clau per a reflexionar sobre una indústria en \u003Cstrong>plena transformació\u003C/strong>. Des de la producció fins al consum, el sector musical ja no es pot entendre sense l’impacte del \u003Cstrong>\u003Cem>streaming\u003C/em>\u003C/strong>, els \u003Cstrong>sistemes de recomanació\u003C/strong> basats en dades i la presència creixent de la \u003Cstrong>intel·ligència artificial\u003C/strong> (IA) en els processos creatius. Un canvi de paradigma redefineix no només el model de negoci del sector, sinó també la naturalesa de la creació musical. La intel·ligència artificial ha deixat de ser una eina d'assistència tècnica per a convertir-se en \u003Cstrong>un nou motor creatiu\u003C/strong>.\u003C/p>\u003Cp> \u003C/p>\u003Cp>\u003Cstrong>La IA com a motor de democratització creativa\u003C/strong>\u003C/p>\u003Cp>La irrupció de la IA ha obert les portes de la creació musical a qualsevol persona. No cal tenir grans coneixements tècnics ni accés a estudis de gravació per fer música. Eines capaces de generar melodies, harmonies o bases instrumentals formen part, cada vegada més, del dia a dia de creadors i productors. Una democratització que ha trencat les barreres d’entrada al mercat musical.\u003C/p>\u003Cp>Aquesta accessibilitat però, ha posat de manifest una altra realitat. Segons les darreres dades de la plataforma Deezer, el ritme de publicació de cançons s’ha disparat: de les 10.000 cançons diàries creades amb IA el gener de 2025, s’ha passat a 75.000 cançons al dia a l’abril de 2026, és a dir, dos milions de cançons generades amb IA cada mes a la plataforma.\u003C/p>\u003Cp>Davant d’aquesta realitat, la indústria musical s’ha convertit en un dels primers sectors on es posen a prova els grans reptes ètics i legals de la IA. El debat transcendeix el sector cultural i gira entorn de la propietat intel·lectual, l’autoria i la definició de creativitat en l’era digital.\u003C/p>\u003Cp>Tant el marc normatiu europeu com l’\u003Ca target=\"\" rel=\"\" href=\"https://www.wipo.int/portal/es/\">Organització Mundial de la Propietat Intel·lectual\u003C/a> (OMPI) reconeixen com a autors d’una obra únicament les persones físiques. En aquest debat, hi ha un punt especialment sensible: la protecció de la veu. Considerada una dada personal, pot ser imitada per sistemes d’IA sense el permís de l’artista, una pràctica que ha generat conflictes legals en diversos casos recents.\u003C/p>\u003Cp>En l’àmbit de la distribució, l’algoritme s’ha convertit en l’actor principal. Les plataformes d’streaming utilitzen models de recomanació que condicionen la visibilitat de les cançons i influeixen en els hàbits d’escolta de milions d’usuaris. Aquest ecosistema facilita l’accés a un catàleg pràcticament il·limitat, però també condiciona la visibilitat i la capacitat real dels artistes emergents per trobar espais en un entorn globalitzat i saturat.\u003C/p>\u003Cp>Com en el seu dia van fer el sampler o el sintetitzador, la IA suposa una nova fase de l'evolució tecnològica aplicada a la música amb un repte: garantir que aquesta transformació serveixi per enriquir la creativitat i no per limitar-la a una producció automatitzada de dades.\u003C/p>","2026-06-26","la-musica-en-l-era-de-la-intel-ligencia-artificial-creativitat-dades-i-transformacio-digital",{"data":115},{"id":78,"attributes":116},{"Categoria":117,"createdAt":118,"updatedAt":119,"publishedAt":120,"locale":10,"slug":121},"Dia a dia del Cercle","2022-09-06T20:19:21.459Z","2022-09-23T18:36:43.350Z","2022-09-12T15:10:05.619Z","el-cercle",{"data":123},{"id":124,"attributes":125},6639,{"name":126,"alternativeText":17,"caption":17,"width":127,"height":128,"formats":129,"hash":164,"ext":131,"mime":134,"size":165,"url":166,"previewUrl":17,"provider":23,"provider_metadata":17,"createdAt":167,"updatedAt":167},"iade-michoko-mixing-1584267_1920.jpg",1789,1278,{"large":130,"small":140,"medium":148,"thumbnail":156},{"ext":131,"url":132,"hash":133,"mime":134,"name":135,"path":17,"size":136,"width":137,"height":138,"sizeInBytes":139},".jpg","https://cercletecnologic.s3.eu-west-3.amazonaws.com/large_iade_michoko_mixing_1584267_1920_55ce9da526.jpg","large_iade_michoko_mixing_1584267_1920_55ce9da526","image/jpeg","large_iade-michoko-mixing-1584267_1920.jpg",90.05,1000,714,90051,{"ext":131,"url":141,"hash":142,"mime":134,"name":143,"path":17,"size":144,"width":145,"height":146,"sizeInBytes":147},"https://cercletecnologic.s3.eu-west-3.amazonaws.com/small_iade_michoko_mixing_1584267_1920_55ce9da526.jpg","small_iade_michoko_mixing_1584267_1920_55ce9da526","small_iade-michoko-mixing-1584267_1920.jpg",34.04,500,357,34044,{"ext":131,"url":149,"hash":150,"mime":134,"name":151,"path":17,"size":152,"width":153,"height":154,"sizeInBytes":155},"https://cercletecnologic.s3.eu-west-3.amazonaws.com/medium_iade_michoko_mixing_1584267_1920_55ce9da526.jpg","medium_iade_michoko_mixing_1584267_1920_55ce9da526","medium_iade-michoko-mixing-1584267_1920.jpg",59.27,750,536,59268,{"ext":131,"url":157,"hash":158,"mime":134,"name":159,"path":17,"size":160,"width":161,"height":162,"sizeInBytes":163},"https://cercletecnologic.s3.eu-west-3.amazonaws.com/thumbnail_iade_michoko_mixing_1584267_1920_55ce9da526.jpg","thumbnail_iade_michoko_mixing_1584267_1920_55ce9da526","thumbnail_iade-michoko-mixing-1584267_1920.jpg",10.91,219,156,10909,"iade_michoko_mixing_1584267_1920_55ce9da526",253.02,"https://cercletecnologic.s3.eu-west-3.amazonaws.com/iade_michoko_mixing_1584267_1920_55ce9da526.jpg","2026-06-26T10:45:24.640Z",{"data":169},{"id":170,"attributes":171},6641,{"name":172,"alternativeText":17,"caption":17,"width":128,"height":128,"formats":173,"hash":198,"ext":131,"mime":134,"size":199,"url":200,"previewUrl":17,"provider":23,"provider_metadata":17,"createdAt":201,"updatedAt":201},"iade-michoko-mixing-1584267_1920 - copia.jpg",{"large":174,"small":180,"medium":186,"thumbnail":192},{"ext":131,"url":175,"hash":176,"mime":134,"name":177,"path":17,"size":178,"width":137,"height":137,"sizeInBytes":179},"https://cercletecnologic.s3.eu-west-3.amazonaws.com/large_iade_michoko_mixing_1584267_1920_copia_f686e04b51.jpg","large_iade_michoko_mixing_1584267_1920_copia_f686e04b51","large_iade-michoko-mixing-1584267_1920 - copia.jpg",114.46,114457,{"ext":131,"url":181,"hash":182,"mime":134,"name":183,"path":17,"size":184,"width":145,"height":145,"sizeInBytes":185},"https://cercletecnologic.s3.eu-west-3.amazonaws.com/small_iade_michoko_mixing_1584267_1920_copia_f686e04b51.jpg","small_iade_michoko_mixing_1584267_1920_copia_f686e04b51","small_iade-michoko-mixing-1584267_1920 - copia.jpg",39.82,39822,{"ext":131,"url":187,"hash":188,"mime":134,"name":189,"path":17,"size":190,"width":153,"height":153,"sizeInBytes":191},"https://cercletecnologic.s3.eu-west-3.amazonaws.com/medium_iade_michoko_mixing_1584267_1920_copia_f686e04b51.jpg","medium_iade_michoko_mixing_1584267_1920_copia_f686e04b51","medium_iade-michoko-mixing-1584267_1920 - copia.jpg",71.51,71509,{"ext":131,"url":193,"hash":194,"mime":134,"name":195,"path":17,"size":196,"width":162,"height":162,"sizeInBytes":197},"https://cercletecnologic.s3.eu-west-3.amazonaws.com/thumbnail_iade_michoko_mixing_1584267_1920_copia_f686e04b51.jpg","thumbnail_iade_michoko_mixing_1584267_1920_copia_f686e04b51","thumbnail_iade-michoko-mixing-1584267_1920 - copia.jpg",8.07,8066,"iade_michoko_mixing_1584267_1920_copia_f686e04b51",184.12,"https://cercletecnologic.s3.eu-west-3.amazonaws.com/iade_michoko_mixing_1584267_1920_copia_f686e04b51.jpg","2026-06-26T10:45:58.371Z",{"data":203},{"id":5,"attributes":204},{"Subcategoria":205,"createdAt":206,"updatedAt":207,"publishedAt":208,"locale":10,"slug":209},"INNOVACIÓ","2022-09-06T20:19:42.706Z","2022-09-23T18:37:24.606Z","2022-09-12T15:10:36.726Z","innovacio",{"id":211,"metaTitle":212,"metaDescription":213,"keywords":17,"metaRobots":17,"structuredData":17,"metaViewport":17,"canonicalURL":17},3284,"La música en l’era de la intel·ligència artificial","El sector musical afronta una nova etapa amb la tecnologia com a gran protagonista de la indústria",{"data":215},[],{"data":217},[218,228],{"id":219,"attributes":220},3251,{"createdAt":221,"updatedAt":222,"publishedAt":223,"locale":52,"TituloH1":224,"Entradilla":225,"TextoNoticia":226,"FechaPublicacion":112,"slug":227},"2026-06-26T10:58:56.720Z","2026-06-26T10:58:59.637Z","2026-06-26T10:58:59.627Z","La música en la era de la inteligencia artificial: creatividad, datos y transformación digital","\u003Cp>\u003Cspan>El sector musical afronta una nueva etapa con la tecnología como gran protagonista de la industria\u003C/span>\u003C/p>","\u003Cp>\u003Cspan>La llegada de junio marca el pistoletazo de salida a la temporada de festivales, un momento clave para reflexionar sobre una industria en \u003C/span>\u003Cstrong>\u003Cspan>plena transformación.\u003C/span>\u003C/strong>\u003Cspan> Desde la producción hasta el consumo, el sector musical ya no se puede entender sin el impacto del \u003C/span>\u003Cstrong>\u003Cspan>streaming\u003C/span>\u003C/strong>\u003Cspan>, los \u003C/span>\u003Cstrong>\u003Cspan>sistemas de recomendación \u003C/span>\u003C/strong>\u003Cspan>basados en datos y la presencia creciente de la \u003C/span>\u003Cstrong>\u003Cspan>inteligencia artificial \u003C/span>\u003C/strong>\u003Cspan>(IA) en los procesos creativos. Un cambio de paradigma que redefine no solo el modelo de negocio del sector, sino también la naturaleza de la creación musical. La inteligencia artificial ha dejado de ser una herramienta de asistencia técnica para convertirse en \u003C/span>\u003Cstrong>\u003Cspan>un nuevo motor creativo.\u003C/span>\u003C/strong>\u003Cbr>\u003Cbr>\u003Cstrong>\u003Cspan>La IA como motor de democratización creativa\u003C/span>\u003C/strong>\u003C/p>\u003Cp>\u003Cbr>\u003Cspan>La irrupción de la IA ha abierto las puertas de la creación musical a cualquier persona. No hay que tener grandes conocimientos técnicos ni acceso a estudios de grabación para hacer música. Herramientas capaces de generar melodías, armonías o bases instrumentales forman parte, cada vez más, del día a día de creadores y productores. Una democratización que ha roto las barreras de entrada al mercado musical.\u003C/span>\u003Cbr>\u003Cbr>\u003Cspan>Pero esta accesibilidad ha manifestado otra realidad. Según los últimos datos de la plataforma Deezer, el ritmo de publicación de canciones se ha disparado: de las 10.000 canciones diarias creadas con IA en enero de 2025, se ha pasado a 75.000 canciones en el día en abril de 2026, es decir, dos millones de canciones generadas con IA cada mes en la plataforma.\u003C/span>\u003Cbr>\u003Cbr>\u003Cspan>Ante esta realidad, la industria musical se ha convertido en uno de los primeros sectores donde se ponen a prueba los grandes retos éticos y legales de la IA. El debate transciende el sector cultural y gira en torno a la propiedad intelectual, la autoría y la definición de creatividad en la era digital.\u003C/span>\u003Cbr>\u003Cbr>\u003Cspan>Tanto el marco normativo europeo como la \u003C/span>\u003Ca target=\"\" rel=\"\" href=\"https://www.wipo.int/portal/es/\">\u003Cspan>Organización Mundial de la Propiedad Intelectual\u003C/span>\u003C/a>\u003Cspan> (OMPI) reconocen como autores de una obra únicamente las personas físicas. En este debate, hay un punto especialmente sensible: la protección de la voz. Considerada un dato personal, puede ser imitada por sistemas de IA sin el permiso del artista, una práctica que ha generado conflictos legales en varios casos recientes.\u003C/span>\u003Cbr>\u003Cbr>\u003Cspan>En el ámbito de la distribución, el algoritmo se ha convertido en el actor principal. Las plataformas de streaming utilizan modelos de recomendación que condicionan la visibilidad de las canciones e influyen en los hábitos de escucha de millones de usuarios. Este ecosistema facilita el acceso a un catálogo prácticamente ilimitado, pero también condiciona la visibilidad y la capacidad real de los artistas emergentes para encontrar espacios en un entorno globalizado y saturado.\u003C/span>\u003Cbr>\u003Cbr>\u003Cspan>Cómo en su día hicieron el sampler o el sintetizador, la IA supone una nueva fase de la evolución tecnológica aplicada a la música con un reto: garantizar que esta transformación sirva para enriquecer la creatividad y no para limitarla a una producción automatizada de 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